A Bag Worth a Pony
A Bag Worth a Pony
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Description
The Art of the Ojibwe Bandolier Bag
Author Marcia G. Anderson
Minnesota Historical Society Press (May 15, 2017)
A celebration, illumination, and study of the spectacular beaded bags made by the Ojibwe of Minnesota.
Description
Bandolier bags, or gashkibidaaganag—the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes—are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag.
Over the years, non-Indian collectors and ethnographers, struck by the bags’ cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves.
Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag’s makeup and meaning. She also offers a tour of Minnesota’s seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers.
Author information
Marcia Anderson was curator of the Minnesota Historical Society’s museum collections for 30 years.
Reviews and news
Pioneer Press
The Circle Newspaper
KUMD MN Reads
Star Tribune
Tribal Art Magazine
Native American Art
Transmotion
Minnesota Book Award Finalist
Winner of the 2018 Beatrice Medicine Award
Winner of a 2018 AASLH Leadership in History Award “Just like the beaded bags that form the focus of this magnificent new study, Marcia G. Anderson’s book, A Bag Worth a Pony has clearly been a labor of love, presenting research carried out over several decades. . . .This extraordinary 277-page publication is impeccably well researched, and lavishly illustrated throughout with a wealth of color images of some of the finest extant beaded bandolier bags in museum and private collections, and a mass of historic photos of bags in use, both indigenous and non-Native.” Whispering Wind Magazine
Advance Praise:
“Beautifully illustrated, carefully researched, and sensitively written, A Bag Worth a Pony is filled with valuable information about Ojibwe bandolier bags—gashkibidaagang—one of the great glories of Native North American beaded art and an important part of Ojibwe identity. The author uses historical writings, photographs, contemporary interviews, and analysis of technique and designs to accurately place the bags within their communities. Above all, Anderson conveys the spirit behind the bags by honoring the superb artistry of their (predominantly female) makers.” Lois Sherr Dubin, author of The History of Beads: 100,000 BC to the Present
“A Bag Worth a Pony reveals the story behind the Ojibwe bandolier bag, which proliferated throughout the assimilation era when Ojibwe and other Native people struggled to maintain their cultural traditions. Over several decades, Minnesota historian Marcia Anderson interviewed several bead artists whose voices teach us more about the significance of this enduring practice and the strength of a people.” Karissa Isaacs, associate curator, Tweed Museum of Art, University of Minnesota Duluth
“In this well-researched and richly illustrated history of a distinctive indigenous art form, Anderson does the hard work of connecting specific gashkibidaagan to their Minnesota communities of origin and, when possible, to individual artists or families, enriching our understanding of local stylistic variations. By providing context to the circumstances of making, wearing, and collecting these regalia, in the past and today, she also brings much-needed focus to the lived experiences of Ojibwe artists across the generations.” Adriana Greci Green, curator of Indigenous Arts of the Americas, The Fralin Museum of Art at the University of Virginia
Related resources
Minnesota History article “Ojibway Beadwork Traditions in the Ayer Collections” by Marcia G. Anderson and Kathy L. Hussey-Arntson
Bandolier Bags featured on MNHS Collections Up Close blog
Bandolier Bag Storage
- 272 pages
- 300 color and b&w illustrations, notes, index, appendixes, bibliography
- 8.5×11 inches
- ISBN: 9781681340296
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